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	<title>Savanna Wegman</title>
	<link>https://savannawegman.com</link>
	<description>Savanna Wegman</description>
	<pubDate>Mon, 24 Nov 2025 13:06:11 +0000</pubDate>
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		<title>Design Works </title>
				
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		<pubDate>Tue, 23 Aug 2022 05:12:48 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

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&#38;nbsp;

	Upcoming 2025:
Set Designer
Pride and Prejudice Presented by The Bloomshed and Darebin Arts Speakeasy 30 July - 10 August 2025Darebin Arts Centre 
14th August 
Geelong Arts Centre 15-18th October
Canberra Playhouse 
Set and Costume Design
Katya Kabanova By Leoš JanáčekPresented by Victorian Opera 14 Oct - 16 OctPalais Theatre

In development:
Writer 
End Desert Machine Darebin Arts Speakeasy Developments March 2025 
	

	






	Contact 
savanna.wgmn@gmail.com




I acknowledge the Wurundjeri Woi-Wurrung and Boon Wurrung Peoples on whose land and waters I live and work. I pay my respects to past and present Aboriginal elders and community and recognise their rich history of artmaking and storytelling. Sovereignty was never ceded. Always was, always will be Aboriginal land. 

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	<item>
		<title>About </title>
				
		<link>https://savannawegman.com/About-2</link>

		<pubDate>Sat, 26 Jul 2025 08:39:56 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/About-2</guid>

		<description>
	Savanna Wegman is a set and costume designer and writer working across theatre, opera, dance and circus. She is New Zealand born, of Chinese Malaysian and Dutch descent and is now based on unceded Wurundjeri land in Naarm (Melbourne). 

Recent credits include 5 Green Room Nominated set designs&#38;nbsp; 'Pride and Prejudice' (The Bloomshed, 2025)&#38;nbsp; ‘Our Monster’s Name is Jerry’ (Dirty Pennies Theatre, 2025), ‘The Last Train to Madeline’ (Fever103 Theatre, 2024), ‘Biographica’ (Lyric Opera, 2023) and ‘Brittany and The Mannequins’ (Fever103 Theatre, 2022).

Set &#38;amp; Costume Designer ‘Katya Kabanova’ (Victorian Opera), ‘Converted!’ (Sydney Festival, ATYP),&#38;nbsp; ‘Climbers’ (Fever103 Theatre), ‘STAUNCH ASF’ (Amelia Jean O’Leary, Melbourne Fringe), Set Designer 'A Certain Mumble' (Amelia Jean O’Leary, Darebin Arts Speakeasy). 

Savanna has been the associate designer for Marg Howell for ‘My Brilliant Career’ (Melbourne Theatre Company), Anna Cordingley - ‘Much Ado About Nothing’ (Melbourne Theatre Company) and Dann Barber - ‘Candide’ (Victorian Opera), ‘Far Away’ (Patalog Theatre), 'The Crocodile' (Spinning Plates Co.), ‘The Dream Laboratory’ (Essential Theatre) and ‘The Mermaid’ (La Mama). 
 


Contact 
savanna.wgmn@gmail.com




I acknowledge the Wurundjeri Woi-Wurrung and Boon Wurrung Peoples on whose land and waters I live and work. I pay my respects to past and present Aboriginal elders and community and recognise their rich history of artmaking and storytelling. Sovereignty was never ceded. Always was, always will be Aboriginal land. 
	
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		<title>Katya Kabanova </title>
				
		<link>https://savannawegman.com/Katya-Kabanova</link>

		<pubDate>Mon, 24 Nov 2025 13:06:11 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/Katya-Kabanova</guid>

		<description>By&#38;nbsp;Leoš Janáček
Presented by Victorian Opera
Palais Theatre&#38;nbsp;
Set and Costume&#38;nbsp;Design&#38;nbsp;


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	Conductor:&#38;nbsp;Alexander BrigerDirector:&#38;nbsp;Heather FairbairnSet &#38;amp; Costume Designer:&#38;nbsp;Savanna WegmanLighting Designer Niklas PajantiVideo Designer: Robert BrownAssistant Director &#38;amp; Camera Operator: Ben Sheen

Katya:&#38;nbsp;Desiree FrahnBoris:&#38;nbsp;Andrew GoodwinKabanicha:&#38;nbsp;Antoinette HalloranTichon:&#38;nbsp;Michael PetruccelliDikoj:&#38;nbsp;Adrian TamburiniVarvara:&#38;nbsp;Emily EdmondsKudrjaš:&#38;nbsp;Douglas KellyKuligin:&#38;nbsp;Bailey MontgomerieGlascha:&#38;nbsp;Michaela Cadwgan
ORCHESTRAANAM Orchestra (Australian National Academy of Music)

Production Photography: Jeff Busby&#38;nbsp;
	Victorian Opera’s production scored at every turn, with a splendid Australian cast, ingenious and creative production, and daring and clever use of live black and white video throughout on a full-stage screen. &#38;nbsp;- Barney Shwartz, The Age&#38;nbsp;

 The visual element of this production was adventurous and conceived in intricate detail. Savanna Wegman’s set and costume design fused beautifully with Fairbairn’s cinematic palette –&#38;nbsp;Heather Leviston, Classic Melbourne&#38;nbsp;

The set was simple but endlessly clever: huge suspended metal frames that hung over the stage like a cage, later lowered and reformed into a boardwalk stretching over a shimmering lake. It managed to feel both industrial and dreamlike, almost a reflection of Katya’s inner thoughts. - Kavya, Its on the house


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		<title>Pride and Prejudice </title>
				
		<link>https://savannawegman.com/Pride-and-Prejudice</link>

		<pubDate>Thu, 07 Aug 2025 04:40:49 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/Pride-and-Prejudice</guid>

		<description>by The Bloomshed&#38;nbsp;
Presented by Darebin Arts Speakeasy&#38;nbsp;
Darebin Arts Centre, Geelong Arts Centre, Canberra Playhouse
Set Design

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&#60;img width="4210" height="2801" width_o="4210" height_o="2801" data-src="https://freight.cargo.site/t/original/i/e8c32df3fcbf778584bc782b3e1a2f60e7bb4ad7566c43b5f9a2a3cf1b973570/Pride-and-Prejudice_Bloomshed_photo-Sarah-Walker-6551.jpg" data-mid="236782247" border="0"  src="https://freight.cargo.site/w/1000/i/e8c32df3fcbf778584bc782b3e1a2f60e7bb4ad7566c43b5f9a2a3cf1b973570/Pride-and-Prejudice_Bloomshed_photo-Sarah-Walker-6551.jpg" /&#62;
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&#60;img width="3996" height="2659" width_o="3996" height_o="2659" data-src="https://freight.cargo.site/t/original/i/85a495c0974dca60449c0287a21236d6b4096cb6ad5c63b21bff614c8fa5ac0d/Pride-and-Prejudice_Bloomshed_photo-Sarah-Walker-7018.jpg" data-mid="236782354" border="0"  src="https://freight.cargo.site/w/1000/i/85a495c0974dca60449c0287a21236d6b4096cb6ad5c63b21bff614c8fa5ac0d/Pride-and-Prejudice_Bloomshed_photo-Sarah-Walker-7018.jpg" /&#62;

	Created and Performed by Bloomshed PERFORMED BY: Laura Aldous, Elizabeth Brennan, Emily Carr, Syd Brisbane, Anna Louey, Lauren Swain, James Jackson, and James Malcher. SET DESIGNER: Savanna WegmanSET ASSISTANTS: Emma Ashton &#38;amp; Em JevonsCOSTUME DESIGNER: Samantha HastingsLIGHTING DESIGNER: John Collopy SOUND DESIGNER: Justin Gardam DRAMATURG: Emily O'ConnorSTAGE AND PRODUCTION MANAGER: Jacinta Anderson

	
</description>
		
	</item>
		
		
	<item>
		<title>Sad Eyes </title>
				
		<link>https://savannawegman.com/Sad-Eyes</link>

		<pubDate>Sat, 19 Apr 2025 02:34:18 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/Sad-Eyes</guid>

		<description>Choreographed by Amelia Jean O’Leary&#38;nbsp;
Dancehouse&#38;nbsp;
Set Design&#38;nbsp;
&#60;img width="3680" height="2456" width_o="3680" height_o="2456" data-src="https://freight.cargo.site/t/original/i/76d32f4f2143b09d515d43ab8ede0ae5c62f7b4ae972f9a3030b3b764778235d/20250326-GregoryLorenzutti-SadEyes-0001_50.jpg" data-mid="230382659" border="0"  src="https://freight.cargo.site/w/1000/i/76d32f4f2143b09d515d43ab8ede0ae5c62f7b4ae972f9a3030b3b764778235d/20250326-GregoryLorenzutti-SadEyes-0001_50.jpg" /&#62;

&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/2040771d84f62b2cc4a2e2ddf0e3cea899fb4311e6b39b8ad01f186c3ba97aee/20250326-GregoryLorenzutti-SadEyes-0069.jpg" data-mid="230382603" border="0"  src="https://freight.cargo.site/w/1000/i/2040771d84f62b2cc4a2e2ddf0e3cea899fb4311e6b39b8ad01f186c3ba97aee/20250326-GregoryLorenzutti-SadEyes-0069.jpg" /&#62;
&#60;img width="5330" height="3266" width_o="5330" height_o="3266" data-src="https://freight.cargo.site/t/original/i/f4b1bbab66869cb45223c11a6291251ea9e73cca0d954e8cafc6499a72b08115/20250326-GregoryLorenzutti-SadEyes-0059.jpg" data-mid="230382606" border="0"  src="https://freight.cargo.site/w/1000/i/f4b1bbab66869cb45223c11a6291251ea9e73cca0d954e8cafc6499a72b08115/20250326-GregoryLorenzutti-SadEyes-0059.jpg" /&#62;
&#60;img width="5007" height="3424" width_o="5007" height_o="3424" data-src="https://freight.cargo.site/t/original/i/9b0007652e240744f4b174a8799f87c7b7b432f5d07c1e69e4460b624d5733df/20250326-GregoryLorenzutti-SadEyes-0054.jpg" data-mid="230382608" border="0"  src="https://freight.cargo.site/w/1000/i/9b0007652e240744f4b174a8799f87c7b7b432f5d07c1e69e4460b624d5733df/20250326-GregoryLorenzutti-SadEyes-0054.jpg" /&#62;
&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/e7c8f6c89699359e4958ca9df800196625ca32892a66697b3ecd6d7d2f82f055/20250326-GregoryLorenzutti-SadEyes-0003.jpg" data-mid="230382656" border="0"  src="https://freight.cargo.site/w/1000/i/e7c8f6c89699359e4958ca9df800196625ca32892a66697b3ecd6d7d2f82f055/20250326-GregoryLorenzutti-SadEyes-0003.jpg" /&#62;
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&#60;img width="5098" height="3004" width_o="5098" height_o="3004" data-src="https://freight.cargo.site/t/original/i/9d3c7d69d69ff18ed27fe09e3211aea11c731c913d0364359f3787b8554f7573/20250326-GregoryLorenzutti-SadEyes-0023.jpg" data-mid="230382615" border="0"  src="https://freight.cargo.site/w/1000/i/9d3c7d69d69ff18ed27fe09e3211aea11c731c913d0364359f3787b8554f7573/20250326-GregoryLorenzutti-SadEyes-0023.jpg" /&#62;
&#60;img width="5119" height="3554" width_o="5119" height_o="3554" data-src="https://freight.cargo.site/t/original/i/54b3fe48b5bf21e34299f123a2452280effb3831413b17ef018fbc7ea955e45d/20250326-GregoryLorenzutti-SadEyes-0067.jpg" data-mid="230382605" border="0"  src="https://freight.cargo.site/w/1000/i/54b3fe48b5bf21e34299f123a2452280effb3831413b17ef018fbc7ea955e45d/20250326-GregoryLorenzutti-SadEyes-0067.jpg" /&#62;

	
Production photography by Gregory Lorenzutti
Presented by Dancehouse

CHOREOGRAPHER: Amelia Jean O’LearyDANCERS/COLLABORATORS: &#38;nbsp;Jiawen Feng, Keia McGrady, Katherine Lanterna / Hegman, Sam OsbornSOUND DESIGNER: Amelia Jean O’LearySET DESIGN: &#38;nbsp;Savanna WegmanCOSTUME DESIGN: Maya AndersonLIGHTING DESIGN: Giovanna Yate GonzalezSTAGE AND PRODUCTION MANAGER:Georgina Bright





	&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/a207212ba02d48ea46b16d4d24cc3e7cdef51cabdbe0ef31978adf70ef66729a/20250326-GregoryLorenzutti-SadEyes-0013.jpg" data-mid="230382617" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a207212ba02d48ea46b16d4d24cc3e7cdef51cabdbe0ef31978adf70ef66729a/20250326-GregoryLorenzutti-SadEyes-0013.jpg" /&#62;
	

</description>
		
	</item>
		
		
	<item>
		<title>Our Monster's Name is Jerry </title>
				
		<link>https://savannawegman.com/Our-Monster-s-Name-is-Jerry</link>

		<pubDate>Wed, 05 Mar 2025 00:27:23 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/Our-Monster-s-Name-is-Jerry</guid>

		<description>Our Monster's Name is Jerry
Set and Costume Design&#38;nbsp;
Presented by Dirty Pennies Theatre and Theatreworks&#38;nbsp;
&#60;img width="3776" height="2041" width_o="3776" height_o="2041" data-src="https://freight.cargo.site/t/original/i/63c5fc8b3b057251d044245e63cb12a21241c779be128def801319207b357b31/DSC05948.JPG" data-mid="227655669" border="0"  src="https://freight.cargo.site/w/1000/i/63c5fc8b3b057251d044245e63cb12a21241c779be128def801319207b357b31/DSC05948.JPG" /&#62;

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/208162585e60c2f22623c85695cff9930e23f67ade900ae7f2b8ae1884605174/IMG_9663.JPG" data-mid="227655738" border="0"  src="https://freight.cargo.site/w/1000/i/208162585e60c2f22623c85695cff9930e23f67ade900ae7f2b8ae1884605174/IMG_9663.JPG" /&#62;
&#60;img width="2832" height="3776" width_o="2832" height_o="3776" data-src="https://freight.cargo.site/t/original/i/c67129be04e947708979b931681441597dde21014ba8252b0cd160bc9614ce70/DSC03522.JPG" data-mid="227655723" border="0"  src="https://freight.cargo.site/w/1000/i/c67129be04e947708979b931681441597dde21014ba8252b0cd160bc9614ce70/DSC03522.JPG" /&#62;
&#60;img width="3776" height="2832" width_o="3776" height_o="2832" data-src="https://freight.cargo.site/t/original/i/4297794b4680adb8f728dae87c53e8452c7b5f83993008cdc5265b3e14f1e888/DSC05561.JPG" data-mid="227655678" border="0"  src="https://freight.cargo.site/w/1000/i/4297794b4680adb8f728dae87c53e8452c7b5f83993008cdc5265b3e14f1e888/DSC05561.JPG" /&#62;


&#60;img width="2832" height="3776" width_o="2832" height_o="3776" data-src="https://freight.cargo.site/t/original/i/651a3964a77ed029f12337fcfbe1dc2ba244f870ab8f3aad0729ca7f41126ff6/DSC06073.JPG" data-mid="227655663" border="0"  src="https://freight.cargo.site/w/1000/i/651a3964a77ed029f12337fcfbe1dc2ba244f870ab8f3aad0729ca7f41126ff6/DSC06073.JPG" /&#62;
&#60;img width="2832" height="3776" width_o="2832" height_o="3776" data-src="https://freight.cargo.site/t/original/i/7a889939824d33393127d4c378f99c2b984a8226fd71dde26df37389d7db097e/DSC05121.JPG" data-mid="227655684" border="0"  src="https://freight.cargo.site/w/1000/i/7a889939824d33393127d4c378f99c2b984a8226fd71dde26df37389d7db097e/DSC05121.JPG" /&#62;
&#60;img width="2832" height="3776" width_o="2832" height_o="3776" data-src="https://freight.cargo.site/t/original/i/512141d2f9e2e20560374fcf7c2c07fe004a9a7ae9a6d8880500840bf4414793/DSC05328.JPG" data-mid="227655682" border="0"  src="https://freight.cargo.site/w/1000/i/512141d2f9e2e20560374fcf7c2c07fe004a9a7ae9a6d8880500840bf4414793/DSC05328.JPG" /&#62;


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&#60;img width="3776" height="2832" width_o="3776" height_o="2832" data-src="https://freight.cargo.site/t/original/i/be30976eabefd581e5c3efd45ee983cfd869d8c8d517e111b8f95715f55adc4f/DSC03619.JPG" data-mid="227655721" border="0"  src="https://freight.cargo.site/w/1000/i/be30976eabefd581e5c3efd45ee983cfd869d8c8d517e111b8f95715f55adc4f/DSC03619.JPG" /&#62;
&#60;img width="3776" height="1900" width_o="3776" height_o="1900" data-src="https://freight.cargo.site/t/original/i/205260ebf5ec87c63c09572cbfd06971963e1444655b15550994c7fb959861ca/DSC05916.JPG" data-mid="227655670" border="0"  src="https://freight.cargo.site/w/1000/i/205260ebf5ec87c63c09572cbfd06971963e1444655b15550994c7fb959861ca/DSC05916.JPG" /&#62;



	CASTEm Jevons,&#38;nbsp;Laura Jane Turner,&#38;nbsp;Tomas Parrish,&#38;nbsp;Amanda LaBonté&#38;nbsp;PLAYWRIGHT&#38;nbsp;Amy May Nunn DIRECTOR&#38;nbsp;Alanah Guiry&#38;nbsp;ASSISTANT DIRECTOR&#38;nbsp;Kimberly Summer&#38;nbsp;LIGHTING DESIGN&#38;nbsp;Thomas RoachSET AND COSTUME DESIGN&#38;nbsp;Savanna Wegman SET AND COSTUME DESIGN ASSOCIATE&#38;nbsp;Maya Anderson&#38;nbsp;SOUND DESIGN&#38;nbsp;Robbie DivineCOMPOSER&#38;nbsp;Charlie BowmakerMOVEMENT CONSULTANT&#38;nbsp;Amelia Jean O’LearyFIGHT CHOREOGRAPHER&#38;nbsp;Lyndal GrantINTIMACY COORDINATOR&#38;nbsp;Kiana Daniele PRODUCTION STAGE MANAGERS&#38;nbsp;Jemma Law,&#38;nbsp;Stephanie Lee&#38;nbsp;CO-PRODUCERS&#38;nbsp;Danielle Goder,&#38;nbsp;Flick&#38;nbsp;

SET CONSTRUCTION Jonathan Yiap

	“The most effective and tantalising Australian Horror since Jennifer Kent’s The Babadook.”


“ Savanna Wegman’s set is a wonder; from a stunning opening curtain to the design of Briarwood itself; a model of dilapidated grandeur filled with some very clever nooks and crannies that allow for some good old fashioned stage trickery.”
-- &#38;nbsp;Darby Turnbull, Theatre Matters


“The set design by Savanna Wegman is remarkable, wholly transforming the space into this decrepit mansion that smells of "bleach and depression". Peeling walls, dilapidated furniture and dirty floors create a tense atmosphere and indicate the horror that has taken over this house. Doorways from the living area to the rest of the residence are shrouded in darkness hinting at the skeletons in the closet that are waiting to be discovered.”&#38;nbsp;


-- Myron My, My Melbourne arts 



“Possibly the most magnificent curtain ever hung across a performance space”

“Savanna Wegman’s set design is a worn, gorgeously decrepit diorama – all rough-cut angles, peeling wallpaper, differences in scale – helping build a palpable unease as the play progresses. There are secrets in the walls of the house, as the streetlight from outside shines through one window.”


-- Crystal Stivala,&#38;nbsp;The Theatre


“This imaginative, risk-taking production takes the tropes of the horror genre to new and original places.&#38;nbsp; Each aspect is integrated into the whole: text, performance, design and sound”


--&#38;nbsp;Michael Brindley, Stage Whispers



 
</description>
		
	</item>
		
		
	<item>
		<title>Converted! </title>
				
		<link>https://savannawegman.com/Converted</link>

		<pubDate>Tue, 04 Mar 2025 23:47:01 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/Converted</guid>

		<description>Set and Costume Design&#38;nbsp;Presented by Australian Theatre for Young People and&#38;nbsp;Sydney Festival&#38;nbsp;
Rebel Theatre&#38;nbsp;

&#60;img width="3238" height="2160" width_o="3238" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3d0696cc62408cb3b6f54638b785fc0a019cce143ff089b6cbbedd6713bc699d/Converted_ATYP_credit_Daniel-Boud_006.jpg" data-mid="227655214" border="0"  src="https://freight.cargo.site/w/1000/i/3d0696cc62408cb3b6f54638b785fc0a019cce143ff089b6cbbedd6713bc699d/Converted_ATYP_credit_Daniel-Boud_006.jpg" /&#62;

&#60;img width="3238" height="2160" width_o="3238" height_o="2160" data-src="https://freight.cargo.site/t/original/i/115bc4b3e10bee905c2079269a6a52fa178d15ec452369df739188d87818b29b/Converted_ATYP_credit_Daniel-Boud_088-copy-2.jpg" data-mid="227655220" border="0"  src="https://freight.cargo.site/w/1000/i/115bc4b3e10bee905c2079269a6a52fa178d15ec452369df739188d87818b29b/Converted_ATYP_credit_Daniel-Boud_088-copy-2.jpg" /&#62;
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BOOK AND LYRICS Vic ZerbstADDITIONAL LYRICS Oliver John CameronMUSIC Vic Zerbst &#38;amp; Oliver John CameronDIRECROR Hayden TonazziDRAMATURG Jane FitzGeraldCHOREOGRAPHER Jeremy LloydMUSIC DIRECTOR &#38;nbsp;Mark ChamberlainMUSIC SUPERVISOR Oliver John CameronTRACK PRODUCTION AND ORCHESTRATION Liam Scarrat
SET AND COSTUME DESIGNER Savanna Wegman
COSTUME SUPERVISOR: Kate BeereLIGHTING DESIGNER BrockmanPRODUCTION MANAGER Harry DowlingSTAGE MANAGER Anastasia MowenASSISTANT STAGE MANAGERS Milly Grindrod &#38;amp; Abby Dinger

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“Lively dance numbers and clever staging bringing home big emotional moments in a small-scale Australian Theatre for Young People production. One particularly lo-fi stage transition from the camp to a late-night forest disco is a testament to how glitter and lights on a dancefloor can liberate — and how queer people have and will continue to come together, resilient and tenacious.”&#38;nbsp;
— Jared Richards (ABC)&#38;nbsp;

&#38;nbsp;
“Whimsical set and costume designs by Savanna Wegman set the tone for this cheeky and cheerful presentation.”&#38;nbsp;
— Suzy Wrong, Suzy Goes See&#38;nbsp;


“ Blues and pinks adorn the stage bleeding into the fabric of Savanna Wegman’s costume and set design. We’re very much thrust into the binary world of Converted! which most definitely puts the “camp” in conversion camp along the way”
“creates inventive imagery and magic on stage” 

“The mirrors that are at the heart of the camp puts a reflective message of onus onto the audience, whilst hidden trapdoors and inflatable set pieces lift the production to its funnest levels”&#38;nbsp;

—&#38;nbsp;Justin Clarke, Theatre Thoughts&#38;nbsp;

“The set and costumes by Savanna Wegman will either delight or horrify, depending on your personal views about tie-dye.&#38;nbsp;The lo-fi joy of watching an inflatable piece of set slowly emerge was one of the night’s high points.”&#38;nbsp;

-- Chad Armstrong, Cultural Binge


</description>
		
	</item>
		
		
	<item>
		<title>the last train to madeline</title>
				
		<link>https://savannawegman.com/the-last-train-to-madeline</link>

		<pubDate>Sat, 06 Jul 2024 03:08:22 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/the-last-train-to-madeline</guid>

		<description>Presented by Fever103 Theatre
Set &#38;amp; Costume Design&#38;nbsp;
Meat Market Stables

&#60;img width="4677" height="3118" width_o="4677" height_o="3118" data-src="https://freight.cargo.site/t/original/i/8376052826b931c8c2a974be8152790db664cc455f9b2d9dab11f73568623d5b/TLTTM_Screen-10.jpg" data-mid="214195721" border="0"  src="https://freight.cargo.site/w/1000/i/8376052826b931c8c2a974be8152790db664cc455f9b2d9dab11f73568623d5b/TLTTM_Screen-10.jpg" /&#62;

&#60;img width="6425" height="4283" width_o="6425" height_o="4283" data-src="https://freight.cargo.site/t/original/i/5401faf3f3677110ffea866d37dca7510c754151eb1f89590e058b5512fbbda6/TLTTM_Screen-31.jpg" data-mid="214195742" border="0"  src="https://freight.cargo.site/w/1000/i/5401faf3f3677110ffea866d37dca7510c754151eb1f89590e058b5512fbbda6/TLTTM_Screen-31.jpg" /&#62;
&#60;img width="6319" height="4213" width_o="6319" height_o="4213" data-src="https://freight.cargo.site/t/original/i/0315710c3a8f448d718156465fd088a2553dd00febfecf51225e668f9da31b5d/TLTTM_Screen-6.jpg" data-mid="214195717" border="0"  src="https://freight.cargo.site/w/1000/i/0315710c3a8f448d718156465fd088a2553dd00febfecf51225e668f9da31b5d/TLTTM_Screen-6.jpg" /&#62;

	
	

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&#60;img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/45ce3f692d4fa757eb4cc01c71d97b55abb42eab20bea181cb9e3812c1f5d08d/TLTTM_Screen-40.jpg" data-mid="214195751" border="0"  src="https://freight.cargo.site/w/1000/i/45ce3f692d4fa757eb4cc01c71d97b55abb42eab20bea181cb9e3812c1f5d08d/TLTTM_Screen-40.jpg" /&#62;
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	“Savanna Wegman's set dominates breathtakingly...&#38;nbsp;

It is visually stunning” 
- What Did She Think?
“the set is crafted with such intricate detail that it transports the audience directly into the heart of Wangaratta and the characters’ intertwined lives. Every element on stage, from the nostalgic childhood artefacts to the evocative lighting that shifts with the passing years, is meticulously designed to enhance the storytelling.”
“not to be missed… emotional depth combined with exceptional performances and the stunning set design makes the last train to madeline a truly unforgettable experience” - The Theatre.au


	“Savanna Wegman’s brilliant, ethereal set, a concrete railway overpass swallowed in vines, mimics ancient ruins, a metaphor for the lost friendship” - Melbourne Observer


“imaginatively designed” - 
Kim Hitchcock, Arts hub

“a gorgeous set design that includes train tracks by Savanna Wegman ... it smelt like nostalgia, an abandoned yet magical special spot where two youngsters would meet - a romantic hideaway teenagers could escape to, and one that becomes a perfect setting to recall memories of the past.”&#38;nbsp;
- Weekend notes


	
“absolutely stunn[ing].. one of the most enchanting set designs I’ve seen in Indie theatre and certainly one of the best uses of the space I’ve seen. Rising star Savanna Wegman, already Green room nominated, and I hope many are in her future, design is a dreamy evocation of a concrete train station that finds the unexpected beauty in something banal and often ugly. It’s a space that allows for some deft staging from director Hayden Tonazzi that’s both playful and often poignant” - Theatre matters&#38;nbsp; Darby Turnbull

The set was “immidiately striking” - What the show


	“The black box at Meat Market has been transformed beautifully into Wangaratta’s lush bushlands by designer Savanna Wegman. Truly, I have never seen the space used better, and director Hayden Tonazzi makes the most of it with creative blocking that uses the set’s height and structure perfectly”
- Guy Webster, LIMELIGHT






	WRITTEN BY Callum Mackay

DIRECTOR: Hayden Tonazzi&#38;nbsp;SET AND COSTUME DESIGNER: 
Savanna Wegman LIGHTING DESIGNER: Spencer HeardCOMPOSER &#38;amp; SOUND DESIGNER: Oliver BeardSTAGE MANAGER: Finn McLeish&#38;nbsp;
PRODUCER &#38;amp; PRODUCTION MANAGER: Harry DowlingASSOCIATE PRODUCER: Seamus Allan
SET CONSTRUCTION: Rightside Creative Solutions
CAST: Ruby Maishman, Eddie Orton

Photos: Liv Morison
	

Set Renders&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/811e9dda1f3f1cba7668e082d3879d161960913131bf3982779fe925529812b0/Maddy-final-3.5-wall-cuts.png" data-mid="214196384" border="0"  src="https://freight.cargo.site/w/1000/i/811e9dda1f3f1cba7668e082d3879d161960913131bf3982779fe925529812b0/Maddy-final-3.5-wall-cuts.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3c9e32f017bdbe0346f2e958014b49c0506077cb1ea315e8e6d98b39c4ab5bc0/Maddy_final_3.1.jpg" data-mid="214196385" border="0"  src="https://freight.cargo.site/w/1000/i/3c9e32f017bdbe0346f2e958014b49c0506077cb1ea315e8e6d98b39c4ab5bc0/Maddy_final_3.1.jpg" /&#62;Costume renders
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/72294544715e1966efa8edb41ea39b6393c9cf1a77572610fc18f59f1f2fa50a/Luke_Costume_-1.jpg" data-mid="214197944" border="0"  src="https://freight.cargo.site/w/1000/i/72294544715e1966efa8edb41ea39b6393c9cf1a77572610fc18f59f1f2fa50a/Luke_Costume_-1.jpg" /&#62;
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/1028bd6bec67b7463227df3cf244c9f4d28e49c2848d54b4250efb4c2a8c0b94/Maddy_Look_1-1.jpg" data-mid="214197945" border="0"  src="https://freight.cargo.site/w/1000/i/1028bd6bec67b7463227df3cf244c9f4d28e49c2848d54b4250efb4c2a8c0b94/Maddy_Look_1-1.jpg" /&#62;

	

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&#38;nbsp;Production Trailer: Jordan Blanch&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>Biographica</title>
				
		<link>https://savannawegman.com/Biographica</link>

		<pubDate>Mon, 25 Sep 2023 05:27:14 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/Biographica</guid>

		<description>

Presented by Lyric Opera and Theatreworks 2023
Set &#38;amp; Costume Design&#38;nbsp;

&#60;img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/c4d37fb44083d831dfc7aea4475b06422b7294a63d609641d639b9fcc00e68c3/Lyric-Opera-Biographica045.jpg" data-mid="191746133" border="0"  src="https://freight.cargo.site/w/1000/i/c4d37fb44083d831dfc7aea4475b06422b7294a63d609641d639b9fcc00e68c3/Lyric-Opera-Biographica045.jpg" /&#62;
&#60;img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/8cd7dbe665536ac00461e8ef8d612f3c75d41ef521c2b796d38b6d58797b17ce/Lyric-Opera-Biographica028.jpg" data-mid="191746193" border="0"  src="https://freight.cargo.site/w/1000/i/8cd7dbe665536ac00461e8ef8d612f3c75d41ef521c2b796d38b6d58797b17ce/Lyric-Opera-Biographica028.jpg" /&#62;

	
	

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	Musically intoxicating, visually compelling and powerfully fused performance piece.

The resolution of ideas bristling through Finsterer’s score and Wright’s libretto via Savanna Wegman’s suggestive set and costumes, Niklas Pajanti’s dramatic lighting and Aron Murray’s encompassing video designs – drawing on Cardano’s broad scientific studies including astrology and astronomy, mathematics, physics, chemistry and biology – is faultless. 


	
Ideas relating to an inextricable link between science and religion, the intellectual and visceral, working and personal life and strengths and weaknesses seemingly orbit through the stage rings as Cardano’s complexities are revealed. In doing so, the work effortlessly conveys the omnipresent contradictions rooted in self and the universe.

- Paul Selar, Australian Arts Review 



	
The production cleverly uses light, projections and mirrors.


- Bridget Davies, The Age


	

Visually, Biographica is restrained but consistently interesting, as the designers draw on the art and science of Cardano’s world. Lit from the side with Caravaggio-esque chiaroscuro drama by Niklas Pajanti, Savanna Wegman’s set includes a table laden with objects, like a still-life painting. The stage area is dominated by three large, interlocking elliptical hoops that recall the old celestial spheres, as well as the gimbal, an ancient device Cardano described in detail.&#38;nbsp;

- Patricia Maunder, LIMELIGHT&#38;nbsp;
&#38;nbsp;



	MUSIC by Mary Finsterer&#38;nbsp;
LIBRETTO by Tom Wright&#38;nbsp;

DIRECTOR: Heather Fairbairn&#38;nbsp;CONDUCTOR: Patrick Burns&#38;nbsp;SET AND COSTUME DESIGNER: 
Savanna Wegman LIGHTING DESIGNER: Niklas Pajanti&#38;nbsp;VIDEO DESIGNER: Aron Murray&#38;nbsp;STAGE MANAGER: Brittany Coombs
ASSOCIATE DESIGNER: Maya Anderson&#38;nbsp;ASSOCIATE ARTIST: Nathan Burmeister

with Dion Mills, Belinda Dalton, Rachael Joyce, Juel Riggall, Douglas Kelly, Bailey Montgomerie, Raphael Wong
Production Photos: Jodie Hutchinson
	


	


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		<title>Staunch ASF </title>
				
		<link>https://savannawegman.com/Staunch-ASF</link>

		<pubDate>Sun, 15 Oct 2023 12:46:10 +0000</pubDate>

		<dc:creator>Savanna Wegman</dc:creator>

		<guid isPermaLink="true">https://savannawegman.com/Staunch-ASF</guid>

		<description>
Created and Performed by Amelia Jean O’Leary&#38;nbsp;
Melbourne Fringe Festival, Blak Lodge Meat MarketSet &#38;amp; Costume Design &#38;nbsp;

	
	

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	CHOREOGRAPHER &#38;amp; PERFORMER: &#38;nbsp;Amelia Jean O’LearyPRODUCTION MANAGER &#38;amp; STAGE MANAGER: Georgie Bright&#38;nbsp;
LIGHTING DESIGNER: Giovanna Yate Gonzalez&#38;nbsp;SET &#38;amp; COSTUME DESIGNER: 
Savanna Wegman Production Photography: Gregory Lorenzutti
	

	



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